A Slice of the OC - the Finished Product

And here you see the finished art quilt I call "A Slice of the OC". Once again I will be teaching a class showing how to make this quilt on August 17th at Flying Geese Fabric Store in Tustin. If you are interested in learning some art quilt techniques and having a fun wall hanging to show for your efforts, please sign up!

I like to have uneven edges for my cityscapes. It makes them EDGIER! (Yes - that is a joke, and its also true!). I started uneven edges on my first city scape.  I liked the buildings along the perimeter and couldn't bear to cut half of them off to get a straight edge. One of the artistic thoughts I learned in a class with Ricky Tims was,' If you hear yourself thinking- "I wonder what would happen if I did ..."  - do it!'  So, I  cut along the horizontal and vertical building sides to see how it looked, and thought, "hey that's cool looking". That's where it all started. My husband however doesn't really appreciate the uneven edges. He is an engineer and it conflicts with his sensibilities. Oh well! You have to please yourself with art.

The idea of putting a binding on the uneven edges is too much for me, and the same goes with facing. Hence the couched yarn along the edge.  I have inserted below some close ups of some of this piece. I hope you like it! It was a fun, quick project.



Thanks for visiting my blog!

Sailboats

My last foreground additions are sailboats in the water. I made three different sailboat shapes on freezer paper and used these as patterns to cut the fabrics out. Once again I fused two pieces of fabric together wrong side to wrong side and cut out the boat bottom and sail shapes.  Rick Rack was my mast. I experimented with placement of the boats and once I was satisfied, stitched the pieces down.

Palms, Surfboards, Waterline

 

I am nearly finished with my "Slice of the OC" piece. On this post I show some of the foreground work. The raw edge between the sand and water fabric needed "something" because it looked a little too unfinished with just a straight stitch. I placed a thin piece of rick rack along this edge to finish the water line.

I also thought the sandy foreground was a pale and boring. Clearly I needed something in front of the buildings. What says beach front in Orange County more than palms and surfboards? I made these by fusing two pieces of fabric together, wrong side to wrong side. This gives the piece a little more thickness. When you have two fused fabrics you can leave the edges raw and attach the piece with a few stitches down the middle, or just beads. It stands off the fabric a bit and gives more depth. I learned this in a class with Mary Stori years ago and have used it since for these type of applications.

Above and below you see photos of both the palms and surfboards stitched down with zig zag or straight stitches. They fill up the foreground and cover some of the bland look at the front of the buildings.  I also added some little pieces of lime green rick rack to finish it off.   

Serendipity Show at Soft Expressions

The Serendipity art quilt exchange group I belong to is having a show at Soft Expressions upstairs gallery.  Our postcard and 12" x 12" size pieces will be on display for the next month or so. We have a "Meet the Artists" event tomorrow. The information for the show is below. Several of us "Serendipities" will be there tomorrow. I hope to see you too!

A Slice of the OC - Saddleback Mountain

 
 
 
No Orange County scene can be complete without the Saddleback Mountain range in the background. At least that's what I think! I wanted to add the mountain range in a subtle way, so I decided to use tulle. I chose a tulle color of blue that matched the palette and then doubled it because the single layer of tulle didn't have enough color intensity.
 



Skyline

The first step is to draw in the mountain range line on the sky fabric. I drew it in and then stitched on that line. Next I laid the double layer of tulle over the area that I wanted the mountains to be.  It was pinned in place to prevent it from moving, which tulle likes to do. Then I stitched around the building tops at the sky line, and then stitched on the mountain line. Lastly I trimmed the excess tulle above and below the stitching lines. And there it is, instant mountain range! I love the color of the sky fabric that you can see through the tulle. It gives it a variable appearance like you would expect from mountains.

 

Mountain

 

 

 

Stitching Down the Buildings

The continuing saga of "A Slice of the OC"... When last we met, our project had a background, many buildings, shading and trims. But they were all just laying there, ready to fly away with the wind. Well, we better get them stitched down before that happens.

I like to use my stitching down of the buildings as my quilting stitching as often as I can. It saves so much time! To prevent my buildings from shifting in location,  I used pins, small bits of fusible and fabric glue to keep the buildings in their proper place during this process.  I created my sandwich of my top, batting and backing, and then pinned the three layers in place. Once I had my sandwich I went to the machine.

I used a straight stitch on most of the buildings and just stitched about 1/16" from the edge of the fabric around the buildings. This is raw edge applique, so I didn't want to get closer than that to minimize fraying. On the yellow buildings I couched blue yarn around the edge using a zig zag stitch. For the Ferris wheel I stitched rick rack around the perimeter and used that stitching to secure the wheel. I also stitched the building edge lines using a straight stitch. 

And here are the stitched down buildings!

Shading the Buildings and Laces - Slice of the OC

 

First a personal note: Many of us are at the age where our parents are aging and need more help from us. I am in that boat and thankful to still have them with me and be able to help. My posts may be a little less frequent for the next few months because I am juggling a lot right now, but I promise to do my best and keep posting as often as I can. I value my blog visitors and followers and understand the importance of giving you something new to read and see. So thank you in advance for visiting my blog and your understanding if I seem AWOL at times!

 

Now onto the art quilting stuff!

 

This post is about the shading on the buildings in my "Slice of the OC" piece. I am making this art quilt using techniques that can be easily done at the Flying Geese Fabrics store. I wanted to add some shading to the buildings and change the color of some of the lace trims, but I did not want to use paints that many quilters don't have and would be messy in a classroom setting. I opted for oil pastels, because they are inexpensive, readily available and adequate for this piece. I usually don't prefer oil pastels because I find their color fades when I set it and I have to re-apply a few times. I have many other paints that work better and would normally use those.  But, oil pastels are what I am going to use here.

 

The first photo shows the buildings with shading and the lace trims colored by the oil pastels. You can see that the addition of the shading increases the three dimensional appearance of the buildings. Also, the laces were originally an ivory color. I wanted their color to match the palette that I had selected for this quilt. The photo below shows the oil pastel I chose to color these buildings.

 

To apply the shading I lay the cut out building or lace on a piece of paper. I used drawing paper because I think it will blot the excess oil pastel when ironed.  I gently stroke the fabric with the pastel crayon in the same direction and build up color. Once I get to the intensity I want I fold the paper over the "painted" side of the lace or fabric building, and then iron it for about 15 seconds several times. You can see some color on the paper from this setting technique. If the color is not as strong as I want, then I repeat the process. Sometimes it takes about 3 days for the colored pieces to completely "dry", so I tend to be a little careful during that time not to smear color on another fabric.  That hasn't happened, but I am still a little careful. 

 

That's it. Its simple, fast and cheap. A great combination for many things, but I can think of some exceptions!